mastodon 4.6.9Independent type foundry from Marseille, France
NEW RELEASE: SCENERY ⛰️
Scenery is a new typeface by Lucas Le Bihan. It comes in a total of 16 styles and eight weights, with matching italics. With its rounded corners and geometric construction, Scenery evokes simple pleasures and will find its way into a variety of settings.
Design: @lucaslebihan@typo.social
Spacing & kerning: Igino Marini
Mastering: Solenn Bordeau
Images: Lisa Carpagnano
New release: Maxisud!
Maxisud is a narrow, geometrical sans serif that acts as a reinterpretation of the Futura Maxi typeface found in Photo-Lettering’s One Line Manual of Styles. It comes in two styles: a Normal one, and another version bearing inktraps, using these technical features as the visual treats they are. Why put inktraps on a phototype-inspired face, you would ask? These do look good in display, while providing texture and readability in smaller point sizes. Maxisud has a higher x-height than Futura, and shares similarities with Avant-Garde Gothic Condensed and the classic poster cut Futura Condensed ExtraBold.
https://formagari.com/typefaces/maxisud
Design: Emmanuel Besse @embes@typo.social
Team: Andrea Biggio
Spacing & kerning: Igino Marini
Images: Luke & Nik
Up on @FontsInUse@typo.social : the perfect use of Rillus by Marc Armand for Petits Mondes (Small Worlds), an exhibition about design for children in Toulon (France).
Exciting year ahead! Some very good typefaces are coming in 2026. We’re thrilled to welcome talented designers/friends to the catalogue.
Typefaces by Omnigroup, Lucas Le Bihan (@lucaslebihan@typo.social), Alaric Garnier, Hugo Le Corre, Emmanuel Besse (@embes@typo.social).
💎 NEW RELEASE 💎
Sancy is a typeface collection by Emmanuel Besse @embes@typo.social in 2 versions, a Sans and a Slab. Each variant comes in 14 styles, 7 weights with matching italics. Sancy Sans is a narrow grotesque with a certain roundness. Sancy Slab, also with semi-condensed proportions, feels elegant in thinner weights, steady and convivial in darker styles. Both feature low contrast, as in stretched type from store signs.
Team: Hugues Gentile
Photography: Julie Hrnčířová
FONTS IN USE
—
Very large Insitu in the Théâtre de l’Odéon’s new visual identity by Choque Le Goff : a dream project for one of the French best public institutions.
New on @FontsInUse@typo.social : Rialto’s visual identity by the Copenhagen-based design studio Alexis Mark, using Insitu.
Dans le cadre du festival Tangible :
Formagari propose Attitudes #1, une soirée de conférences où quatre praticien.ne.s nous parleront de la typographie à travers son dessin, son utilisation au sein d’un projet de design, son enseignement, la recherche portant sur son histoire et ses façons de faire, ou encore ses liens avec l’artisanat et l’imprimerie.
Jeudi 16 octobre 2025 à 18h
(2h de conférences suivies d’un buffet dînatoire avec échanges libres)
Entrée libre
Sharp use of Cedrat by Zoo, designers graphiques for the catalogue of Sylvie Selig’s exhibition at Mac Lyon.
FONTS IN USE
—
Kernevel in use by Javas Lehn Studio for Dana Schutz’s Jupiter’s Lottery published by David Zwirner Books.
